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A fragmented story of the forest as the bearer of emotions, life and dark mysticism. In short scenes, we are sucked into environments that, through the camera’s slow crawl and the intense presence of the sound, give us a sense of narrative. Something is threatening, but the story is broken. This is a disoriented horror movie or the unsorted memories from a traumatized camera.
Peter Larsson predominantly experiments with stop motion animation. The animation practice is a hands-on process where the material is co-creator and becomes the body for severe formulated situations, emotions and states. The cinematic language is surreal and can refer to horror films, folktales and abstract painting. In addition to film Larsson works with drawing, collage and painting. He is spreading his work through print making and self published artist books.