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This is the result of a research of finding new ways to animate with clay. Rebecca Digby’s sound collage, made from woven cassette tapes, gives the clay a voice and creates small, short social sceneries. A conversation takes place between the abstract formations who are arguing and worrying.
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Peter Larsson predominantly experiments with stop motion animation. The animation practice is a hands-on process where the material is co-creator and becomes the body for severe formulated situations, emotions and states. The cinematic language is surreal and can refer to horror films, folktales and abstract painting. In addition to film Larsson works with drawing, collage and painting. He is spreading his work through print making and self published artist books.