MORE
Andrei’s Maria by Ingela Johansson will be screened at the online Edition of Festival Cinema Transcendência on December 11. The film will be made available on the festival webpage from 3pm to midnight. The programme has been curated by Andre Luiz Oliviera and Carina Bini.
Programme:
Works distributed by Filmform
Ingela Johansson
2017, 00:40:45
Studie IV, Peter Weiss, 1954
Combined digital & physical screening on December 9th, 7PM (CEST)
Paletten Art Journal’s editors, Fredrik Svensk & Sinziana Ravini concludes this season of FILMFORM RE:VIEW with a film programme, loosely situated in between desire and imagination. The programme connects to Paletten’s new issue 325 that will be available to purchase during the evening at the physical screening at Filmform. FILMFORM RE:VIEW is a format where external professionals and organizations from spheres of culture or research are invited to botanize in Filmform’s collection. Starting off from their specific areas of interest and questions a film programme is curated and thereafter presented as an open screening at Filmform.
This programme is shown as a physical screening at Filmform on Svarvargatan 2 (Stockholm, Sweden) and simultaneously live streamed on this page at the starting time 7PM (CEST) on December 9th:
PHYSICAL SCREENING: The ticket price is 50 SEK. You book a ticket by RSVPing to info@filmform.com after which you will receive information about the different payment options and confirmation. First come, first served. We urge those who experience even the slightest symptoms to stay at home and enjoy the live streamed version of the screening.
Programme:
Works distributed by Filmform
Peter Weiss
1956, 00:10:00
Jan Lindqvist & Stefan Jarl
1974, 00:30:00
Maja Ray Borg
2007, 00:13:00
Peter Weiss
1954, 00:08:18
Juan-Pedro Fabra Guemberena
2011, 00:18:41
Salad Hilowle
2021, 00:12:56
Roxy Farhat
2020, 00:19:26
Fantasy, Desire, and Conflict –
Why Did Harald Kill Himself?
The gap between fantasy and desire is what most often gets people into trouble. But what about the gap between inner conflicts and the conflicts that arise between people in society? This question has guided our selection of films from the Filmform archive. The subtitle of the program, “Why Did Harald Kill Himself”, is taken from the film Förvandla Sverige by Jan Lindqvist & Stefan Jarl from 1974. In addition to this film, we are showing works by Maja Borg, Juan-Pedro Fabra, Roxy Farhat, Salad Hilowle, and Peter Weiss.
– Sinziana Ravini & Fredrik Svensk
Sinziana Ravini and Fredrik Svensk are editors-in-chief of Paletten Art Journal. Paletten is a cultural journal for contemporary art, founded in 1940. Its ambition is to critically examine the conditions and functions of art in our time.
The screening is arranged with support from Stockholms Stad. Filmform is supported by the Ministry of Culture through the Arts Grants Committee and the Swedish Arts Council
Several titles distributed by Filmform will be part of the programme Experi-Mentalities at the 2021 edition of Pori Film Festival. The event will take place between 25-28 November and the programme has been curated by Timo Menke.
The combined screening and installation program Experi–Mentalities for Pori film festival 2021 is proposing an intersectional mix of circus, hideout and laboratory as a hybrid cinematic space for experimentation and experimentality. Rather than a black box, Experi-Mentalities stages closed and open spaces with a diversity of moving image works from the Swedish film region featuring illusions, prototypes and stunts, as well as failures, mishaps and dysfunctions. The experi-mental approach brings together elements of experiment and mentality in the sense of cinema as an ongoing trial and error, hypothesis and proof – from experimental procedures adopted from the natural sciences, exploratory approaches in filmmaking, and the testing of new forms of social organisation, while playing with the “experimental” as historical genre of art and film. The rationale of the institutionally controlled experiment is set against or within retinal experiments and mental explorations, confronting the all-too-known and unknown, searching for new realities, truths and futures leading to different or enigmatic forms of knowledge.
— Timo Menke
Programme:
Works distributed by Filmform
Tova Mozard
2020, 00:16:34
Peter Weiss
1956, 00:10:00
Marte Aas
2018, 00:14:04
Martina Hoogland Ivanow
2018, 00:10:40
Magnus Bärtås
1998, 00:01:07
Mårten Nilsson & Gunilla Heilborn
2009, 00:10:40
Gunvor Nelson
1983, 00:22:00
Lars Siltberg
1999, 00:06:35
Anna-Karin Rasmusson
2019, 00:07:06
Annika Eriksson
Välkommen till utdelningen av Filmformpriset som i år tilldelas konstnären Annika Eriksson för sin förnyelse av den rörliga bilden i konsten. I videoverk där det oförutsägbara ges fritt spelrum närmar hon sig sociala transformationer med skärskådande blick. Fredagen den 19 november gästar Filmform Klarabiografen för att tillsammans uppmärksamma Erikssons konstnärskap.
Program:
18.30 – Insläpp till Klarabiografen. Wir sind wieder da (2010) visas
19.00 – Prisutdelning, Filmforms styrelse
19.15 – Konstnärssamtal med Annika Eriksson lett av Emily Fahlén (curator och konstnärlig ledare för konsthallen Mint). Under samtalet visas verken Copenhagen Postmen’s Orchestra (1996), I Am the Dog That Was Always Here (loop) (2013) samt Past Lives Selector (2016)
20.30 – Efterdrink i Teaterbaren, i anslutning till Klarabiografen, på plan 2 i Kulturhuset Stadsteatern.
Filmprogram
Verk ur Filmforms distributionskatalog
Annika Eriksson
2010, 00:23:55
Annika Eriksson
1996, 00:08:46
Annika Eriksson
2013, 00:09:08
Annika Eriksson
2016, 00:09:00
OBS: Fri entré. OSA till info@filmform för att reservera plats.
Annika Eriksson bor och arbetar i Berlin sedan 2002. Hennes konstnärskap kretsar kring intresset av sociala interaktioner: hur lever vi tillsammans, vilka samhällen skapar vi och vad händer i marginalen eller i övergången mellan en social ordning till en annan. I Erikssons arbete innebär det sociala en betoning på glidningar mellan det enskilda jaget och kollektivet – med frågor om interaktion och utbyte, cirkulära kommunikationsformer, självförnekelse och empati. Hennes projekt handlar också om relationen mellan människa och djur; vårt ömsesidiga beroende, skiftningar och anknytningar, men också register över kränkningar, och djuret som en distinkt mänsklig projektionsyta. Hon har ställt ut sedan början av 1990-talet på olika biennaler och institutioner, till exempel biennalerna i Istanbul, Venedig, Sao Paolo, Shanghai och Wien; på institutioner som Bonner Kunstverein, Tate Liverpool, Hamburger Bahnhof i Berlin, Hayward Gallery i London och Moderna Museet i Malmö och Stockholm.
Filmformpriset har sedan 1995 tilldelats personer som varit särskilt betydelsefulla i utvecklingen av rörlig bild som konstnärligt medium. Tidigare Filmformpristagare är: Loulou Cherinet 2020, Katarina Löfström 2019, Eric M Nilsson 2019, Claes Söderquist 2015, Maja Borg och Christine Ödlund 2010, Mats Hjelm 2006, Cecilia Lundqvist 2004, Kjartan Slettemark 2003, Petra Lindholm 2002, Ann-Sofi Sidén 2001, Magnus Wallin 2000, Olle Hedman och Gunvor Nelson 1996 samt Antonie Frank Grahamsdaughter 1995. Prissumman uppgår till 10 000 kr.
Filmforms styrelse som utsett årets pristagare består av Lars Gustaf Andersson (ordförande), Katarina Renman Claesson, Hanna Ljungh och Lena Essling.
Under november ger sig Konstmuseet i Norr ut på sin årliga höstturné i Norrbotten, Länskonstmuseum Autumn Tour, tillsammans med tre konstkortfilmer. Däribland två titlar ur Filmforms distributionskatalog, Untitled Abisko av Sophie Vuković och From Here to The Black Sea av Unni Gjertsen.
Årets upplaga av Länskonstmuseum Autumn Tour heter Gränsland och består av filmvisningar på biografer och kulturföreningar runtom i länet. På programmet finns tre konstkortfilmer som på olika sätt handlar om gränsdragningar i Barentsregionen.
Programmet visas på utvalda platser i Norrbottens län mellan 15-19 november och är curerat av Elin Ranestål.
Program:
Verk ur Filmforms distributionskatalog
Sophie Vuković
2020, 00:19:20
Unni Gjertsen
2020, 00:12:53
A Day in the City by Pontus Hultén and Hans Nordenström, Kirsa Nicholina by Gunvor Nelson and Study II Hallucinations by Peter Weiss will be part of the programme Hommage to Amos Vogel at Filmmaker Festival. The programme will take place on November 14 at Cinema Arcobaleno and is curated by Tommaso Isabella.
Programme:
Works distributed by Filmform
Pontus Hultén & Hans Nordenström
1956, 00:19:00
Gunvor Nelson
1969, 00:16:00
Peter Weiss
1952, 00:05:19
Stop Trik – Logo
Moms on Fire by Joanna Rytel will be screened at CINANIMA – International Animated Film Festival in the special programme Stop Trik IFF European winners and laureates. The programme will be screened at Centro Multimeios de Espinho 8 November and has been curated by Olga Bobrowska and Michal Bobrowski.
Programme:
Works distributed by Filmform
Joanna Rytel
2016, 00:12:00
Lidköpings Folkets Hus – Logga
Mikaelas röst och Kollegiet av Marit Lindberg kommer visas i loop under Konstafton på Lidköpings Folkets Hus den 6 november. Curator för programmet är Annacarin Öman.
Program:
Verk ur Filmforms distributionskatalog
Marit Lindberg
1997, 00:09:00
Marit Lindberg
2020, 00:03:46
Deutsche Kinemathek – Logo
Utlänningen by Muammer Özer will be screened in the programme Film Restored at the Film Heritage Festival. The film will also be available online vid VOD as Film Restored Online from 3-17 November. The programme is curated by Anke Hahn.
Programme:
Works distributed by Filmform
Muammer Özer
1981, 00:38:30
Combined digital & physical screening on November 3rd, 7PM (CEST)
This seasons third programme in the FILMFORM RE:VIEW series is organized in collaboration with Stockholms Kvinnohistoriska who have invited the artist Roxy Farhat to shed light on the Filmform archive with lived female experience through labor and life as her starting point. FILMFORM RE:VIEW is a format where external professionals and organizations from spheres of culture or research are invited to botanize in Filmform’s collection. Starting off from their specific areas of interest and questions a film programme is curated and thereafter presented as an open screening at Filmform.
This programme is shown as a physical screening at Filmform on Svarvargatan 2 (Stockholm, Sweden) and simultaneously live streamed.
PHYSICAL SCREENING: The ticket price is 50 SEK. You book a ticket by RSVPing to info@filmform.com after which you will receive information about the different payment options and confirmation. First come, first served. We urge those who experience even the slightest symptoms to stay at home and enjoy the live streamed version of the screening.
Programme:
Works distributed by Filmform
Anna Linder
2011, 00:06:00
Eva Linder
2005, 00:10:40
Theresa Traore Dahlberg
2011, 00:28:00
Gunvor Nelson
1969, 00:16:00
Labor/Life
Three films, three women, and three different perspectives on labor and life. Through the works of Eva Linder, Theresa Traore Dahlberg and Gunvor Nelson we get to experience brief but deep portrayals of three women’s lives. Ranging in medium, location and tonality the films speak about matters big and small: humor, family, pride, self-realization, the daily grind and the labor of pushing forward life itself. Anna Linder’s work 13 Related Sewing Machines is shown on loop in connection with the physical programme. The work reflects on women’s repetitive and invisible work and the declining use of sewing machines in everyday life today.
– Roxy Farhat
Roxy Farhat is a Swedish artist and director. Her artistic practice includes a range of of expressions: performance, video art, music videos, film, and more, where feminism, anti-capitalism and absurdity are recurring themes.
Stockholm Museum of Women’s History is a new and groundbreaking museum dedicated to women’s history. The museum work to have women’s history and stories explored, acquired, preserved and made accessible and visible to the public. Through innovative museum work – without a permanent building. Rather than having a fixed location, the museum appear in different shapes all over the city with tours, exhibitions, talks and other activities, to be present in our everyday lives where the history of women has taken place, working to make it a part of our common knowledge.
The screening is arranged with support from Stockholms Stad. Filmform is supported by the Ministry of Culture through the Arts Grants Committee and the Swedish Arts Council
Annika Elisabeth von Hausswolff, The Photographer, 2015. © Annika Elisabeth von Hausswolff
Slap Happy visas som loop i vårens stora retrospektiv över Annika von Hausswolffs konstnärskap på Moderna Museet. Utställningen vid namn Alternativ sekretess tar plats mellan 20 mars och pågår fram till 30 maj. Curator för utställningen är Anna Tellgren.
Filmprogram:
Verk ur Filmforms distributionskatalog
Lotta Antonsson & Annika Hausswolff, von
1995, 00:09:00
Pressrelease från Moderna Museet
Våren 2021 presenterar Moderna Museet utställningen Alternativ sekretess med Annika von Hausswolff (född 1967) – från och med nu Annika Elisabeth von Hausswolff. Utställningen blickar bakåt såväl som ställer sig i nutiden och framhäver bredden i ett konstnärskap som under trettio år utmanat och fascinerat en stor och insatt publik. Annika Elisabeth von Hausswolffs konst har uppmärksammats och analyserats i en lång rad publikationer och genom sina många projekt har hon fortsatt att utveckla sina idéer. Alternativ sekretess omfattar ett hundratal verk från hela hennes karriär samt några nya verk som skapats för denna presentation. Annika Elisabeth von Hausswolff har också bjudits in till att göra ett personligt urval ur Moderna Museets samling. Dessa verk kommer att presenteras som en självständig del av utställningen och samtidigt stå i dialog med konstnärens egna.
Sophie Vuković, Untitled Abisko, 2020
Combined digital & physical screening on October 20th, 7PM CEST
In the second edition of FILMFORM RE:VIEW, film scholar Malin Wahlberg has tracked several documentary fictions within the Filmform collection. Through the prism of the French philosopher Jacques Rancière’s term, documentary fiction, five portrait emerge in an area of tension between the imaginary and the concrete – with enactments as a truth seeking artistic method. FILMFORM RE:VIEW is a format where external professionals and organizations from spheres of culture or research are invited to botanize in Filmform’s collection. Starting off from their specific areas of interest and questions a film programme is curated and thereafter presented as an open screening at Filmform.
This programme is shown as a physical screening at Filmform on Svarvargatan 2 (Stockholm, Sweden) and simultaneously live streamed at the Filmform website.
PHYSICAL SCREENING: The ticket price is 50 SEK. You book a ticket by RSVPing to info@filmform.com after which you will receive information about the different payment options and confirmation. First come, first served. We urge those who experience even the slightest symptoms to stay at home and enjoy the live streamed version of the screening.
Programme:
Works distributed by Filmform
Theresa Traore Dahlberg
2018, 00:18:00
Astrid Göransson
2007, 00:09:51
Tova Mozard
2019, 00:18:30
Sophie Vuković
2020, 00:19:20
More distributed works in the programme:
Jag minns Lena Svedberg, Carl Johan De Geer, 2000, 6 min
Documentary Fictions
Five portraits of people and haunted places, invoked cinematographically in the present, in the past, or in the not so promising (imaginary?) future of our planet. As viewers we are enrolled in enactments where the making of the film is also partly its motif. These artists find unique ways to direct their attention at the possible dreams and desires awaken by the intensity of time passing, of touch, or the presence of absence invoked by photographic traces. However, the search at hand is never disconnected from the complexity of the world, and the conditions and predominant power relations of social and cultural life. Documentary fiction is a notion borrowed from the philosopher Jacques Rancière, who argues that memory cannot be separated from imagination, that “memory is the work [oeuvre] of fiction”. In contrast to the popular conception of “fiction” meaning “pretty story or evil lie”, the original Latin term fingere doesn’t mean “to feign” but “to forge”.
– Malin Wahlberg
Malin Wahlberg is a Professor in Cinema Studies at the Department of Media Studies at Stockholm University. The screening is arranged with support from Stockholms Stad. Filmform is supported by the Ministry of Culture through the Arts Grants Committee and the Swedish Arts Council
Index Foundation – Poster
Index bjuder in till filmkväll på Klarabiografen i anslutning til Pauline Curnier Jardins pågående utställning på Index konsthall. Flera titlar ur filmforms katalog kommer visas av konstnärerna Gunvor Nelson, Axel Petersén, Joanna Rytel, Joanna Lombard och Conny Karlsson Lundgren. Programmet äger rum den 20 oktober klockan 18.00 och har curerats av Pauline Curnier Jardin och Index.
Filmprogram:
Verk ur Filmforms distributionskatalog
Gunvor Nelson
1972, 00:10:00
Axel Petersén
2003, 00:14:00
Joanna Rytel
2016, 00:12:00
Joanna Lombard
2007, 00:04:13
Conny Karlsson Lundgren
2010, 00:10:50
Statens konstråd – Logga
Aktivering samtal! av Mats Eriksson Dunér visas i samband med samtidskonstdagarna 2021 i ledning av Statens konstråd. Filmen kommer finnas tillgänglig för streaming mellan 20-22 oktober för anmälda deltagare. Curatorer för programmet är: Azmara Nigusse, Elisabeth Moritz, Erik Anderman, Filip Zezovski Lind, C. Grace Chang, Helena Selder, Jon Perman, Karin Bäckström, Lena Ylipää, Linnéa Jahn, Par Hasselberg, Annika Enqvist, Lena From, Giorgiana Zachia.
Program:
Verk ur Filmforms distributionskatalog
Mats Eriksson Dunér
2020, 00:58:00
Howl! Arts Logo
Howl! Happening will be screening Take Off by Gunvor Nelson in the programme Body as Playground, Body as Battleground: Sexuality and the Female Gaze. The Programme is related to the original exihibtion Body as Playground, Body as Battleground at Konstepidemin. The event will take place on October 15 and the programme is curated by Tessa Hughes-Freeland.
Programme:
Works distributed by Filmform
Gunvor Nelson
1972, 00:10:00
Hygieniska problem – Carl Fredrik Reuterswärd
Buffalo Bill in 27 forms och Hygieniska problem av Carl Fredrik Reuterswärd kommer visas som loop i programmet A House Reunion – The future, revisited på A house Ark mellan 13-20 oktober. Curator för programmet är Richard Hammarskiöld.
Programme:
Works distributed by Filmform
Carl Fredrik Reuterswärd
1957, 00:04:15
Carl Fredrik Reuterswärd
1962, 00:02:20
Indigenous Resistance Film Festival – Poster
The Return of the Buffalo by Claes Söderquist will be screened in connection with the programme Indigenous Resistance Festival at a public pop-up public screening hosted by Cine Movil. The event will take place October 11 and the programme has been curated by Andrew Stehney-Vargas.
Programme:
Works distributed by Filmform
Claes Söderquist
2012, 00:19:00
Viennale – Kirsa Nicholina
The 2021 joint retrospective of the Viennale and the Austrian Film Museum presents Film as Subversive Art 2021: A Tribute to Amos Vogel. The programme includes Kirsa Nicholina by Gunvor Nelson and will be screened at Dokukino KIC October 7. Curators for the programme are Dina Pokrajac and Petra Belc.
Programme:
Works distributed by Filmform
Gunvor Nelson
1969, 00:16:00
Vänersborgs konsthall visar Stora Scenen av Tova Mozard och Modellarkivet av Malin Pettersson Öberg i programmet Konstvideokväll 2 oktober som en programpunkt i GIBCA Extended 2021. Curator för programmet är Kajsa Frostensson.
Filmprogram:
Verk ur Filmforms distributionskatalog
Tova Mozard
2012, 00:31:00
Malin Pettersson Öberg
2017, 00:19:30
Omslag: "Filmform 1950-2020"
Filmform fortsätter firandet av sitt 70-årsjubileum med en kombinerad bokrelease och jubileumsvisning på Zita Folkets Bio, onsdagen den 29 september mellan kl. 18.30-20.30.
BOKRELEASE (18.30 – 19.00)
Den 29 september släpps den efterlängtade antologin “Filmform 1950–2020” med fördjupande texter som vrider och vänder på Filmforms ständigt växande samling av konstnärers rörliga bilder. I antologin återfinns essäer, återpublicerade artiklar från organisationens långa historia liksom texter över samtliga Filmformpristagare mellan åren 1995-2020.
Medverkande författare är: Lars Gustaf Andersson, Dagmar Brunow, Iréne Berggren, Eivor Burbeck, Lena Essling, Emily Fahlén, Martin Grennberger, Rut Hillarp, Lars-Erik Hjertström Lappalainen, Helena Holmberg, Joa Ljungberg, Edi Muka, Monica Nieckels, Björn Norberg, Gunnel Pettersson, Jimmy Pettersson, Ingrid Ryberg, Patrik Sjöberg, John Sundholm, Daniel A. Swarthnas, Malin Wahlberg, Kim West, Cecilia Widenheim och Ashik Zaman. Form: Aron Kullander-Östling.
Under kvällen säljs boken till specialpris för 100 kr inne i största salongen på Zita – Salong 1. Betalning sker främst via Swish. Boken finns framöver till försäljning på Rönnells Antikvariat (Birger Jarlsgatan 32B, Stockholm).
JUBILEUMSVISNING (19.00 – 20.30)
Kvällen till ära presenteras även ett jubileumsprogram med både äldre och mer samtida verk ur Filmforms distributionskatalog. Verken visas på en rad olika format och med ett unikt liveframträdande av musikern Matti Bye. I filmprogrammet syns bland annat nydigitaliserade verk från de tidiga decennierna i Filmforms historia som ingår i det omfattande digitaliseringsprojekt som pågått mellan 2019–2021 med stöd från Holger och Thyra Lauritzens stiftelse samt Kulturdepartementet.
Filmprogram:
Det underbara mötet, Mihail Livada & Rut Hillarp, 1949, 10 min, med levande musik av Matti Bye
Velocipeden Union, Kjell Johansson, 1963–1965, 9 min
Mannen som flög, Hans Nordenström, 1960, 2 min
N, Ann Robertsson, 1967, 3 min
Destruktion, Boel Simouni (Zetterman), 1989, 5 min
The Kiss, Lova Hamilton, 1994, 1:36 min
Brompton, Axel Petersén, 2003, 14 min
Husvagnsrally, Malin Skjöld & Jenny Bergman, 2003, 3 min
Sportstugan, Gunilla Heilborn & Mårten Nilsson, 2005, 12:40 min, visas på 35mm
Housekeeping, Roxy Farhat, 2009, 02:33 min
Total speltid: ca 65 min
OBSERVERA: Fri entré till filmvisningen men föranmälan krävs. OSA till info@filmform för att reservera platser.
Med tack till Zita Folkets Bio och Tomas Ehrnborg Medieproduktion. Visningen genomförs med stöd från Kulturdepartementet samt Holger och Thyra Lauritzens stiftelse för främjande av filmhistorisk verksamhet. Filmform drivs med verksamhetsstöd från Kulturdepartementet via Konstnärsnämnden samt från Kulturrådet.
Filmprogram:
Verk ur Filmforms distributionskatalog
Mihail Livada
1949, 00:11:08
Hans Nordenström
1960, 00:03:00
Lova Hamilton
1994, 00:01:36
Axel Petersén
2003, 00:14:00
Malin Skjöld & Jenny Bergman
2003, 00:03:38
Gunilla Heilborn & Mårten Nilsson
2005, 00:12:22
Kjell Johansson
1965, 00:09:00
Boella: Boel Zetterman
1989, 00:06:00
Anne Robertsson
1967, 00:03:00
Roxy Farhat
2009, 00:02:33
Filmprogrammets totala speltid: 65 min. Det underbara mötet visas med levande musik av Matti Bye
Arsenal – Logo
Several titles by Peter Weiss will be screened in the programme Amos Vogel at Arsenal – Institute for Film and Video Art. The event will take part on September 28 and the programme is curated by Tobias Hering.
Programme:
Works distributed by Filmform
Peter Weiss
1961, 00:11:00
Peter Weiss
1960, 00:05:33
Peter Weiss
1952, 00:05:19
Peter Weiss
1957, 00:13:00
Peter Weiss
1956, 00:10:00
Shadowland by John Skoog has been selected in the programme Jury’s Choice at 25 FPS International Experimental Film and Video Festival. The programme has been specially curated by the Grand Jury Member Pia Borg and will take place at Kino Studentski centar 24 September.
Programme:
Works distributed by Filmform
John Skoog
2014, 00:15:00
Lidköpings Folkets Hus – Logga
Lidköpings Folkets hus visar flera titlar ur Filmforms katalog i samband med tre visningar av programmet Älskade planet den 24 september.
Visning ett sker i samband med Fridays for Futures globala klimatstrejk, #Uproot the system, med nationellt fokus på skog och intersektionalitet. Strejken äger rum på Nya Stadens Torg och filmprogrammet kommer att visas i Rådhuset som är beläget vid torget. I rådhuset visas även verket Murmurs of Earth i loop på skärm under den tid som strejken pågår.
Visning två och tre sker under lunch respektive kväll på Lidköpings Folkets Hus i samband med visningen av filmen More of Everything, som är en kritisk granskning av den svenska skogsindustrins påståenden om hållbarhet. I Folkets Hus foajé visas verket Nordiska panoramalandskap 2 i loop på skärm.
Curatorer för programmet är Carina Törnblom och Annacarin Öman.
Programme:
Works distributed by Filmform
Lars Arrhenius
2007, 00:07:15
My Lindh
2019, 00:03:30
Petra Lindholm
2008, 00:10:30
Elin Magnusson
2009, 00:03:50
Mari Kretz
2018, 00:03:00
Hanna Ljungh
2010, 00:03:53
Cecilia Lundqvist
2012, 00:02:38
Festival of Photography – Logo
Interbeing by Martina Hoogland Ivanow will be screened in the programme The Frames of Sopot at the 7th edition of the Festival of Photography. The programme will be shown at the State Art Gallery 3 on September 19 and has been curated by Maja Kaszkur.
Programme:
Works distributed by Filmform
Martina Hoogland Ivanow
2018, 00:10:40
La Casa Encendida will be screening two Filmform titles in the special programme PRECIOUS STRATA. Liquid Crystal Effects by Timo Menke will be shown on 15 September and Ear to the Ground (Wandering Rocks) by Ulrika Sparre 29 September. The programme is curated by Maria Morata.
Programme:
Works distributed by Filmform
Timo Menke, Liquid Crystal Effects, 2019, 40 min
Ulrika Sparre
2020, 00:09:04
Vad ska vi göra nu då, Peter Weiss, 1958
Combined digital & physical screening on September 15th, 7PM CEST
The opening programme of the screenings series FILMFORM RE:VIEW reflects the hollowness of the urban space with the Swedish capital city as the cultural battleground. Writer Nathan Hamelberg has selected a set of films that on the one hand are documents from another time – mainly with a focus on the space for youth (or lack thereof) in Stockholm – and on the other hand are wholly new to most people. FILMFORM RE:VIEW is a format where external professionals and organizations from spheres of culture or research are invited to botanize in Filmform’s collection. Starting off from their specific areas of interest and questions a film programme is curated and thereafter presented as an open screening at Filmform.
This programme is shown as a physical screening at Filmform on Svarvargatan 2 (Stockholm, Sweden) and simultaneously live streamed at the Filmform website.
PLEASE NOTE: Due to the current pandemic special restrictions apply for those who wish to attend the physical screening. Admission is reduced to a maximum of 15 people. The ticket price is 50 kr. You book a ticket by RSVPing to info@filmform.com after which you will receive information about the different payment options and confirmation. First come, first served. We urge those who experience even the slightest symptoms to stay at home and enjoy the live streamed version of the screening.
Programme:
Works distributed by Filmform
Lennart Johansson & Lennart Arnér
1951, 00:03:00
Peter Weiss
1958, 00:20:00
Lisa Tan
2013, 00:23:45
Andreas Gavell-Mohlin
2009, 00:07:29
Olle Hedman
1979, 00:05:00
Hollow Stockholm
What emotions seep from the margins of a metropole? From the capital of Sweden? How do new generations discover cracks to slide in through and into a well-planned and well-ordered city? How did one become one of the people in a society you had yet to fit into? I’ve selected a set of films that on the one hand are documents from another time – mainly with a focus on the space for youth (or lack thereof) in Stockholm – and on the other hand are wholly new to most people. What can art film and documentary film say about identity and space and the dominant view of youth in society? How are youth seen – or depicted – in optimistic film reels of yesterday, and what is absent in the pictures of anti-social youth?”
– Nathan Hamelberg
Nathan Hamelberg is a writer obsessed with urban issues and a background in violence prevention work amongst youth. The screening is arranged with support from Stockholms Stad. Filmform is supported by the Ministry of Culture through the Arts Grants Committee and the Swedish Arts Council
My name is Oona by Gunvor Nelson will be screened as a part of the programme Adolescences at Festival les docs de Noirmoutier on 12 September. The programme is curated by Lucie Bonvin.
Programme:
Works distributed by Filmform
Gunvor Nelson
1969, 00:10:00
In September Ouaga Girls by Theresa Traore Dahlberg will be part of the Festival Mostra Luz da Africa with two separate screenings on 8 and 12 September. The film will also be made available online on the festival webpage. The programme is curated by Carina Bini.
Programme:
Works distributed by Filmform
Theresa Traore Dahlberg
2017, 01:15:00
Under hösten presenterar Sven-Harrys konstmuseum grupputställningen Party for Öyvind där ett flertal konstnärer som inspirerade och inspirerades av Öyvind Fahlström samlas. I samband med utställningen kommer Tagning Öyvind Fahlström av Peter Weiss visas som loop mellan den 4 september till 23 januari. Curatorer för programmet är Barbro Schultz-Lundestam och Gunnar Lundestam.
Program:
Verk ur Filmforms distributionskatalog
Peter Weiss
1961, 00:11:00
Dennis Cooper & Zac Farley, Permanent Green Light, 2018, 90 min
On Wednesday, September 1st, Filmform is hosting Dennis Cooper & Zac Farley in Stockholm for screening of their latest film Permanent Green Light (2018). The film takes place in the French town Cherbourg, amongst a group of teenagers connected by Roman who is emotionally tangled and obsessed with the thought of his own annihilation.
Permanent Green Light premiered at International Film Festival Rotterdam in 2018 and has so far not been shown in Sweden.
Programme:
Dennis Cooper & Zac Farley, Permanent Green Light (2018, 90 min)
This programme was shown as a physical screening at Zita Folkets Bio on Birger Jarlsgatan 37 (Stockholm, Sweden) and simultaneously live streamed at the Filmform website.
PLEASE NOTE: Due to the current pandemic special restrictions apply for those who wish to attend the physical screening. Admission is reduced to a limited number of seats. The ticket price is 100 SEK. You book a ticket by RSVPing to info@filmform.com after which you will receive information about the different payment options and confirmation. First come, first served. We urge those who experience even the slightest symptoms to stay at home and enjoy the live streamed version of the screening.
About the film:
A young disabled guy wants to explode. He wants to do it in public. He thinks the fact that it will also end his life is useful for the act’s effect but is otherwise beside the point. He’s not suicidal. He has no ideology. He’s not interested in “heaven” or in going there. He doesn’t want people to misinterpret his explosion as a suicide. He doesn’t want people to misinterpret the explosion as his death.
About the artists:
Dennis Cooper
Complex yet ruthlessly clear, Dennis Cooper’s (b. 1953, US) prose recounts the emotional and erotic lives of troubled teenagers. His characteristic ability to combine cruelty with tenderness, sadism with anxiety, has made him one of his generation’s essential voices. In addition to his film collaborations with Zac Farley, he is known for novels such as the five novel quintology The George Miles Cycle (1989 -2000), The Sluts (2008), The Marbled Swarm (2014), and I Wished (forthcoming, 2021). He has written widely on art, film, music, and literature, and has been a Contributing Editor of Artforum since the late 90s. Since moving from Los Angeles to Paris in 2005, he has written nine theatre pieces for the director/choreographer Gisèle Vienne and composed a series of innovative GIF novels, most recently Zac’s Drug Binge (2020).
Zac Farley
Zac Farley’s (b. 1988 US/FR) films and videos embrace confusion as a kind of truth and thus strive to visualise the most ineffable emotions. Through careful editing and framing, they weave analogies between bodies, landscapes and abstractions. In addition to the feature films he made together with Dennis Cooper, including Like Cattle Towards Glow (2015), Permanent Green Light (2018) and Room Temperature (forthcoming), he is currently collaborating with director/choreographer Gisèle Vienne on a forthcoming feature film, Klara Kraus, and, with writer/curator Sabrina Tarasoff and Cooper, on a virtual “haunted house” project to be premiered at The Pinault Foundation in Paris in late October.
MOON’S POOL by Gunvor Nelson will be part of the programme MIRAGEM as a film screening series located in the nature in Pico, in the Azores islands in Portugal. The event will take place on 29 August and the programme is curated by Rita Morais.
Programme:
Works distributed by Filmform
Gunvor Nelson
1973, 00:15:00
Bodies of Society by Klara Liden will be screened as a loop in the Exhibition Fahrradkörper at Museum Haus Coburg in Städtische Galerie Delmenhorst from 15 August to 31 October. The programme is curated by Eugenia Kriwoscheja.
Programme
Works distributed by Filmform
Klara Liden
2006, 00:05:00
The art-project Where Dreams Cross will be viewing Mother’s Milk by Sophie Vuković in a special screening under the Danviksbro in Stockholm on August 14. The programme is curated by Åsa Widman Falewicz.
Programme:
Works distributed by Filmform
Sophie Vuković
2019, 00:14:03
Pavement Gallery presents Where She Is At by Johanna Billing in an exhibition. The film will be shown as a loop between 7 August and 10 September. The exhibition is curated by Elysia Lukoszevieze.
Programme:
Works distributed by Filmform
Johanna Billing
2001, 00:07:36
NOASS – Logo
Mother’s Milk by Sophie Vuković will be shown in the programme Familiar Feeling – VAFT 2020 at Waterpieces Festival on the 4th of August. The programme is curated by Rose Pietola and Sandra Kempele.
Programme:
Works distributed by Filmform
Sophie Vuković
2019, 00:14:03
Den 31 juli kommer Kalbjärga Filmfestival visa Mass – Monument for a Capitalist Society av Åsa Sjöström på Fårö. Filmen kommer framföras utan ljud men med livemusik av Matti Bye med flera. Curatorer för programmet är Martina Hoogland Iwanow och Matti Bye.
Filmprogram:
Verk ur Filmforms distributionskatalog
Åsa Sjöström
1976, 00:14:00
Interlude Art Lab – Logo
2011 12 30 by Leontide Arvidsson will be screened as a loop at Jakobsen Mekaniske Verksted in connection with the exhibition Kunst i havgapet by Interlude Art Lab from 17 July to 7 August. The programme is curated by Benjamin Slotterøy.
Programme:
Works distributed by Filmform
Leontine Arvidsson
2013, 00:02:53
Moms on Fire by Joanna Rytel will be a part of the programme with the thematic focus section about traditions once lived at International Animation Festival Fest Anča 2021. The film will screened at the subway station Stanica Žilina–Záriečie as well as online between 1-4 July. The programme has been curated by Jakub Spevák.
Programme:
Works distributed by Filmform
Joanna Rytel
2016, 00:12:00
Unga Kontoret – Logga
Flera titlar ur filmforms distributionskatalog kommer visas i programmet Rebell av konstnärsplattformen Unga Kontoret i Hökarängen. Programmet kommer även visas online. Curatorer för programmet är Amanda Hansson och Daniel Iinatti.
Programme:
Works distributed by Filmform
Maja Ray Borg
2007, 00:13:00
Theresa Traore Dahlberg
2011, 00:28:00
The Knife (Artist group)
2003, 00:03:45
Lode Kuylenstierna
2015, 01:00:00
Gunvor Nelson
1972, 00:10:00
Joanna Rytel
2002, 00:05:00
Joanna Rytel
2016, 00:12:00
Internationales Frauen Film Fest Dortmund+Köln – Logo
Joanna Rytel’s Horse Performance has been selected amongst 4 other titles in the section Focus – The Connection: Between Plants, Humans and Other Animals at Internationales Frauen Film Fest Dortmund+Köln. The films will be available on the festival VOD platform 15-20 June. The programme has been curated by Betty Schiel.
Works Distributed by Filmform:
Joanna Rytel, Horse Performance, 2:30 min, 2002
Combined digital & physical screening on June 10th, 7PM CEST
After being heavily postponed it is with great pride that Filmform are able to present the final programme in last years edition of FILMFORM RE:VIEW. For this film programme, the multidisciplinary artist collective coyote have explored the gesamtkunstwerk’s potential with the artist Åke Karlung’s growing installation Glo-Babels Torn (The Tower of GloBabel) from 1977–79 at Moderna Museet in Stockholm, as their starting point. Through its many counter images and rhythmic overlapping, the programme becomes a celebration to the unfinished and a mirror image of Filmform’s ever growing archive. FILMFORM RE:VIEW is a format where external professionals and organizations from spheres of culture or research are invited to botanize in Filmform’s collection. Starting off from their specific areas of interest and questions a film programme is curated and thereafter presented as an open screening at Filmform.
This programme is shown as a physical screening at Filmform on Svarvargatan 2 (Stockholm, Sweden) and simultaneously live streamed at the Filmform website.
Livestream here on June 10th at 7PM (CEST)
PLEASE NOTE: Due to the current pandemic special restrictions apply for those who wish to attend the physical screening. Admission is reduced to a maximum of 10 people. The ticket price is 40 kr. You book a ticket by RSVPing to info@filmform.com after which you will receive information about the different payment options and confirmation. First come, first served. We urge those who experience even the slightest symptoms to stay at home and enjoy the live streamed version of the screening.
Programme:
Works distributed by Filmform
Johanna Billing
2000, 00:03:11
Claes Söderquist
2012, 00:19:00
Gunvor Nelson & Dorothy Wiley
1966, 00:15:00
Guillermo Alvarez
1981, 00:28:00
Olle Hedman
1980, 00:04:00
GloBabel
The title is taken from Åke Karlung’s notorious and unfinished GloBabels Torn (The Tower of GloBabel), constructed at Moderna Museet’s screening room Lilla filmsalen between 1977–1979, which simultaneously used as the artist’s studio and workshop. Two years later the work travelled to Paris and Centre Pompidou for the exhibition SEXTANT, presented by the museum director Pontus Hultén. GloBabels Torn functions as a portal to the film programme; where Karlung’s Gesamtkunstwerk of ”image, sound, movement and words” becomes a rhythmic reflection of the selected films. Glo-babel’s attack on the emerging pop culture, cultural establishment and consumer society acts as a leitmotif for the programme’s six films. Like in the Bible, Karlung’s tower was never completed, instead it became a symbol of humanity’s desperate search for belonging and community in a world of babel of tongues, arbitrariness and alienation. GloBabel is an incomplete film programme of an archive of reactivated moving images which, as Åke Karlung’s work, never will be final.
– coyote
coyote is a multidisciplinary artist collective working ambulatory since 2017. The screening is arranged with support from Stockholms Stad. Filmform is supported by the Ministry of Culture through the Arts Grants Committee and the Swedish Arts Council
Arsenal – Logo
Jordmannen by Muammer Özer will be shown in the online programme “JuneFiktionsbescheinigung. 16 Cinematic Perspectives on Germany” at Arsenal 3 in collaboration with Berlinale Forum. The programme will be available online between 9-30th June and has been curated by Karina Griffith, Can Sungu, Biene Pilavci, Enoka Ayemba, Jacqueline Nsiah.
Programme:
Works distributed by Filmform
Muammer Özer
1980, 00:27:00
Press Release on May 17th, 2021 by Berlinale Forum:
The connections between culture in general, cinema in particular, society and racism are currently the subject of controversial discussion. The Berlinale Forum steps into the debate by presenting the film and discussion series “Fiktionsbescheinigung. 16 Cinematic Perspectives on Germany” an experiment in shared curatorial responsibility that puts a spotlight on a chapter of German film production that has been unfairly neglected.
The Berlinale Forum harbours a keen interest in the areas of film history yet to be properly illuminated and is always looking for new ways to think about the relationship between cinema and society. Both interests come together in this year’s special programme “Fiktionsbescheinigung. 16 Cinematic Perspectives on Germany”. The film and discussion series being put on in collaboration with SİNEMA TRANSTOPIA is dedicated to the work of Black directors and directors of color in Germany.
The films were selected by the curators Enoka Ayemba, Karina Griffith, Jacqueline Nsiah, Biene Pilavci and Can Sungu. Eight programmes consisting of features and shorts bring together works from across four decades, including Tour Abroad by Ayşe Polat (1999), Gölge by Sofoklis Adamidis and Sema Poyraz (1980) and In the Name of Scheherazade or the First Beer Garden in Tehran by Narges Kalhor (2019). Some of the films pick up on the experience of migration, addressing it directly or in more mediated fashion, just as others allow themselves the freedom of no longer taking it seriously. While Mala Reinhardt’s The Second Attack (2018) grapples with the structural racism of the majority society in unflinching fashion and indicts the failure of the authorities in the case of NSU terrorism, Visar Morina’s Exile (2020) is primarily interested in the subcutaneous effects that the experience of racism has on an individual. Sheri Hagen’s At Second Glance (2012) makes specific Black experiences visible but not in such a way that they determine an individual.
The five curators explain their selection in a statement: “The series sees itself as a snapshot of an ongoing, self-determined process of intervention and protest. Each of the films functions as a suggestion as to how the white German gaze can be countered with diverse, intersectional perspectives, with all of them having one thing in common: their own visual and textual practice of testimony from within, not from the margins.”
The films can first be seen from June 9 to 30 on the streaming platform of Arsenal – Institute for Film and Video Art (https://www.arsenal-3-berlin.de/en/). The discussion programme, which includes talks with the filmmakers, experimental, interactive formats, panels with scholars, festival programmers, actors and the curators, a keynote speech by scholar Kevin B. Lee and a lecture by filmmaker Biene Pilavci, will be taking place online. The film programme will be shown in August at SİNEMA TRANSTOPIA’s (https://bi-bak.de/en/bi-bakino) outdoor space.
Animafest Zagreb 2021 – Poster
Moms On Fire by Joanna Rytel will be part of the special programme Love at Kino SC at World Festival of Animated Film Zagreb. The film will be shown between 7-12 June. The programme is curated by Daniel Suljic.
Programme:
Works distributed by Filmform
Joanna Rytel
2016, 00:12:00
Festival International du Film d’Aubagne presents MAN by Maja Borg in the programme Carte Blanche for Glasgow Shortfilm Festival on June 3rd and June 10th. The programme has beeen curated by Samya Papasoff.
Programme:
Works distributed by Filmform
Maja Ray Borg
2016, 00:12:25
Hamburg Laurel
Minnen by Kristin Johannessen has been selected for the competition programme at the 37th Kurzfilm Festival Hamburg. The film will be screened in the section INTERNATIONAL COMPETITION 3 between Tuesday – Monday June 1st – 7th.
Programme:
Works distributed by Filmform
Kristin Johannessen
2020, 00:13:32
Blekinge Tekniska Högskola – Logga
I ett samarbete med Masterprogrammet i Stadsplanering på Blekinge Tekniska Högskola kommer Aktivering Samtal! av Mats Eriksson Dunér visas. Curator för programmet och programansvarig för Masterutbildningen är Ebba Högström.
Filmprogram:
Verk ur Filmforms distributionskatalog
Mats Eriksson Dunér
2020, 00:58:00
Kirsa Nicholina by Gunvor Nelson will be part of the programme IsReal at Festival Di Cinema Del Reale 2021. The film will be shown on May 27th at Auditorium Giovanni Lilliu. The programme is curated by Daniela Persico & Alessandro Stellino.
Programme:
Works distributed by Filmform
Gunvor Nelson
1969, 00:16:00
Film i Samtidskonsten – Logga
Under våren genomför Film i Samtidskonsten en rad digitala program med verk ur Filmforms samling. Tidigare har FiS visat ett program med Karl Holmqvists tidiga videoverk, nu avslutas programserien Stockholm på film med Holmqvists Skåpet. Curatorer för programmet är Cecilia Björk och Nathalie Åhbeck. Programmet finns tillgängligt på FiS hemsida mellan 24 maj – 7 juni.
Program:
Verk ur Filmforms distributionskatalog
Karl Holmqvist
1997, 00:16:42
Villkoren för att sprida mening kring sin verksamhet både i det fysiska rummet och på internet har i grunden förändrats i och med Covid19-pandemin. Det kommer troligtvis aldrig att bli som förr. Vad innebär det för oberoende och konstnärsdrivna verksamheter? Hur ska vi bli bättre på att synas och höras? Det var utgångspunkten för en dags workshop och kunskapsutbyte på Filmform. De som medverkande kom från Candyland/Supermarket, Centrum för fotografi, Tegen2 och Filmform.
På förmiddagen delade de olika verksamheterna erfarenheter av att verka i pandemitider. Alla verksamheter har ökat sin närvaro på internet och litat främst på plattformar som Youtube och Facebook. Det har i vissa fall lett till problem då de algoritmer och AI-funktioner som finns hos Youtube och Facebook går in och censurerar material eller blockerar användare. Det är beslut som fattas av nätjättar, beslut som inte går att överklaga eller ens diskutera.
Under dagen diskuterades behovet av alternativa plattformar på internet men dagen blev också en påminnelse om att denna diskussion fördes redan för 20 år sedan, innan Youtube och Facebook, då det fanns flera initiativ i omlopp för att beskatta de europeiska leverantörerna av internet (ISPer) och föra över resurser till att skapa nya kanaler och plattformar för att sprida konst på nätet. Under dagen delades praktiska råd och erfarenheter av att arbeta med Zoom, Teams och Skype. Efter gemensam lunch ägnades resten av dagen åt att göra en provsändning på Youtube. En videomixer som kan ta in fyra olika bildkällor kopplades upp med tre kameror, två sändarmikrofoner och plötsligt var vi i direktsändning. Skillnaden mot då är att det nu går att för blygsamma investeringar göra professionella sändningar på internet. Filmform kommer att ordna flera samtal och workshops kring strömmande media. Håll utkik.
– Nils Claesson
Banner - Kurzfilmtage Oberhasuen
Sophie Vuković’s Untitled Abisko and Minnen by Kristin Johannessen has been selected for the competition programme at the 67th Kurzfilmtage Oberhausen. Untitled Abisko will be screened twice, on May 9 at 2 pm and on May 10 at 5 pm, as part of the programme ‘International Competition 7’. The screening on May 9 at 2 pm will be followed by a live discussion in English, featuring filmmakers from the same programme.
More information on the screening of Minnen – TBA.
Programme:
Works distributed by Filmform
Sophie Vuković
2020, 00:19:20
Kristin Johannessen
2020, 00:13:32
Banner - Kurzfilmtage Oberhasuen
Kirsa Nicholina by Gunvor Nelson will be screened online in the film programme “re-selected: Yes, but… Amos Vogel in Oberhausen” at Kurzfilmtage Oberhausen on 7th – 9th May. The programme has been curated by Tobias Hering.
Programme:
Works distributed by Filmform
Gunvor Nelson
1969, 00:16:00
Banner - Kurzfilmtage Oberhasuen
Several new titles in Filmform distribution catalogue will be presented in the programme Filmform News 2021 at the online edition of International 67th Short Film Festival Oberhausen on May 6th at 8PM, CEST. After the digital premiere, the programme will be available for another 48 hours. Executive director Anna-Karin Larsson and producer Andreas Bertman will be introducing the screening.
Programme:
Works distributed by Filmform
Nils Agdler
2018, 00:03:40
Oscar Guermouche
2016, 00:02:50
Kjell Johansson
1965, 00:09:00
Noemi Sjöberg
2020, 00:03:03
Annika Eriksson
2004, 00:10:34
Tova Mozard
2020, 00:16:34
More distributed works in the programme:
Magnus Wallin, Elements, 2011, 04:42 min
Lars Arrhenius, Humor, 2017, 07:52 min
The 67th festival edition goes online for the second time
Festival moves its projected on-site programmes online
In 2020, Oberhausen was the first German film festival forced to go online – with great success – by the Corona pandemic. Now the decision has been taken to go online-only once again in 2021. From 1 to 10 May, more than 400 short films, over 190 of them in the eight competitions alone, will be streamed for audiences and professionals.
“We are going online to reach the largest possible audience for the films and to guarantee the greatest security for our audience. We had to make this decision, like many other cultural institutions, against the background of a lack of reliable guidelines for opening up cultural institutions and staging cultural events on the part of German politics,” says festival director Lars Henrik Gass, explaining the decision. “However, we hope to be able to reach a worldwide audience again with an outstanding programme that we would never have reached in Oberhausen alone, and to contribute to the democratisation of film culture.”
The original plan was for a hybrid festival: while the online competitions scheduled from 1 to 4 May will be presented as planned, most of the programmes planned on site from 5 to 10 May are now shifting online, including the five traditional competitions of the Festival.
Stockholms universitet – Logga
Filmform kommer visa ett urval verk online i samarbete med den Filmvetenskapliga fakulteten vid Stockholms universitet. Filmerna visas som kursunderlag till fördjupningskursen på kandidatnivå med temat Dokumentära perspektiv som iscensättning. Filmprogrammet kommer visas under maj månad. Curator för programmet och lärare på kursen är Malin Wahlberg.
Filmprogram:
Verk ur Filmforms distributionskatalog
Ingela Johansson
2017, 00:40:45
Michel Wenzer
2003, 00:14:00
Theresa Traore Dahlberg
2018, 00:18:00
Mex and the animals, Elisa Gleize, 2020,
Vidéographe and Filmform are proud to present a joint digital screening within the new framework “Conversation Between Collections”. Each organization have put together a film programme containing works from both collections through the lens of a specific theme.
The two programmes will be screened on two separate occasions, April 22nd (part 1) and April 29th (part 2). For more information on part 1: LINK HERE
Part 2: Animal Love (programme by Filmform)
Streamed two times on Thursday April 29th, 7 PM local time in Sweden (CEST) and 7 PM local time in Canada (EDT). No tickets required.
Canadian audience: LINK HERE
Programme:
Works distributed by Filmform
Ilona Huss Walin
2002, 00:07:48
Joanna Rytel
2002, 00:02:30
Lova Hamilton
1994, 00:01:36
Hillside Projects
2017, 00:16:36
ANIMAL LOVE
Borrowing it’s title from Ulrich Seidl’s infamous feature film from 1996, this programme evokes questions of control, communication and desire through the relationship between humans and animals. In the opening films by Marte Aas and Ilona Huss Walin, the anthropocentric perspectives start shifting and finally become muddled. Here, animals are seen mourning, remembering, observing human culture and behaviour instead of the other way around as later imagined in Elisa Gleize’s virtual zoo and Hillside Project’s search of a disappearing blue bird. Nowhere are perhaps the ideas of natural behaviour as exposed as in the human understanding of sexuality which echoes throughout the programme in several works. On the more symbolic level – in Lova Hamilton’s oral domestication of a rooster along with Frederic Moffet’s exploration of a natural reserve-cum-human cruising ground on a deserted air base. A more direct and performative method can be seen in Joanna Rytel’s confrontative striptease for monkeys as well as Rachel Echenberg’s dissolvement into a flock of pigeons. Through all these various renditions of control and identification, animal and human relationships are stripped down to the bone, skin, feathers and fur.
– Andreas Bertman & Anna-Karin Larsson, Filmform
Programme:
1. Marte Aas, What I Miss About People, and What I Don’t Miss About People, 2017, 10:51 min (Filmform)
2. Ilona Huss Walin, What If I Was A Rat, 2002, 07:48 min (Filmform)
3. Joanna Rytel, Monkey Performance, 2002, 2:30 min (Filmform)
4. Frederic Moffet, The Magic Hedge, 2016, 9 min (Vidéographe)
5. Lova Hamilton, The Kiss, 1994, 2 min (Filmform)
6. Rachel Echenberg, Blanket, Pigeons, 2004, 3 min (Vidéographe)
7. Hillside Projects, Searching for the European Roller, 2017, 16:36 min (Vidéographe/Filmform)
8. Elisa Gleize, Mex and the animals, 2020, 8:22 min (Vidéographe)
Running time: 60 min
Conversation Between Collections
Through the screening format Conversation Between Collections, two distributors of artists moving images are joined to shed lights on each other’s collections and organizations. With a specific theme as their starting point, the two distributors select works from both their own and the others catalogue and present it in a public film programme. As a result, international tendencies in artists subjects and methods are linked and historical layers are revealed. The works come into dialogue and unexpected encounters open up to new understandings of the arts and ourselves.
Film i Samtidskonsten – Logga
Under våren genomför Film i Samtidskonsten en rad digitala program med verk ur Filmforms samling. Näst ut i det tematiska programmet Stockholm på film visas Carl Johan De Geers Stockholmssyndromet. Curatorer för programmet är Cecilia Björk och Nathalie Åhbeck. Filmen finns tillgänglig på FiS hemsida mellan 26 april – 10 maj.
Filmprogam (verk ur Filmforms distributionskatalog):
Stockholmssyndromet, Carl Johan De Geer, 2001, 9 min
Ear to the Ground (Wandering Rocks), Ulrika Sparre, 2020
Vidéographe and Filmform are proud to present a joint digital screening within the new framework “Conversation Between Collections”. Each organization have put together a film programme containing works from both collections through the lens of a specific theme.
The two programmes will be screened on two separate occasions, April 22nd (part 1) and April 29th (part 2). For more information on part 2: LINK HERE
Part 1: Traces and Territories (programme by Vidéographe)
Streamed two times on Thursday April 22th, 7 PM local time in Canada (EDT) and 7 PM local time in Sweden (CEST). No tickets required.
Canadian audience: LINK HERE
Programme:
Works distributed by Filmform
Ulrika Sparre
2020, 00:09:04
Liselotte Wajstedt
2008, 00:03:29
Sophie Vuković
2020, 00:19:20
TRACES AND TERRITORIES
Drawn from the Filmform and Vidéographe collections, the works in this programme explore the traces that human beings leave – or don’t leave – on the territories in which they settle, and the effect of their absence, destruction or rediscovery on local history, great or small.
– Karine Boulanger, Vidéographe
Programme:
1. Håkan Dahlström, The Monument, 2014, 17:15 min (Filmform)
2. Ulrika Sparre, Ear to the Ground (Wandering Rocks), 2020, 9:04 min (Filmform)
3. Macha Ovtchinnikova,The Scar of the Earth, France-Russia, 2020, 10:57 min (Vidéographe)
4. Terres fantômes, Félix Lamarche, Canada, 2019, 18:38 min (Vidéographe)
5. Sophie Vuković, Untitled Abisko, 2020, Sweden, 19:15 min (Filmform)
6. Liselotte Wajstedt, Faces, Sweden, 2008, 3:29 min, no dialogue (Filmform)
Running time: 78 min
Conversation Between Collections:
Through the screening format Conversation Between Collections, two distributors of artists moving images are joined to shed lights on each other’s collections and organizations. With a specific theme as their starting point, the two distributors select works from both their own and the others catalogue and present it in a public film programme. As a result, international tendencies in artists subjects and methods are linked and historical layers are revealed. The works come into dialogue and unexpected encounters open up to new understandings of the arts and ourselves.
Samuel Richters’ Image Missing or Scenes Based on an Unrealized Play by Bertolt Brecht (1939), and Later Reimagined by Peter Weiss (1978), about Engelbrekt and the Peasant Uprising in Sweden 1434—36 has been selected for the International Competition at the 34rd edition of European Media Art Festival (EMAF). The film will be screened online between 21 – 25th April in the programme Imperfect Tense.
Programme:
Works distributed by Filmform
Samuel Richter
2020, 00:21:12
Ottica Zero by Maja Borg will be part of the programme Utopias Are For Realists! Within the project THIS IS SHORT by Vienna Shorts. The programme will be available online from 20 April – 5 May and is curated by Daniel Ebner.
Programme:
Works distributed by Filmform
Maja Ray Borg
2007, 00:13:00
AODFF - Poster
Flera verk från Filmform av Magnus Wallin, Åsa Cederqvist, Gunor Nelson och Emie visas på An Ordinary Day Film Festival som äger rum på Studio 44 mellan 12–18 april. Curatorer för programmet är Carolina Hindsjö, Helena Norell och Katarzyna Piorek.
Filmprogram:
Verk ur FIlmforms distributionskatalog
Emie
2015, 00:14:20
Magnus Wallin
2000, 00:02:35
Åsa Cederqvist
2019, 00:32:25
Gunvor Nelson
1983, 00:22:00
Film i Samtidskonsten – Logga
Under våren genomför Film i Samtidskonsten en rad digitala program med verk ur Filmforms samling. Näst på tur är ett program med Tova Mozards tidiga videoverk Just Visiting This Planet, Leona Babette och Stora Scenen. Curatorer för programmet är Cecilia Björk och Nathalie Åhbeck. Programmet finns tillgängligt på FiS hemsida mellan 12 – 26 april.
Program:
Verk ur Filmforms distributionskatalog
Tova Mozard
2005, 00:17:30
Tova Mozard
2002, 00:07:00
Tova Mozard
2012, 00:31:00
Rikstolvan - Logo
Interbeing av Martina Hoogland Ivanow visas som installation i Rikstolvans vårutställning som pågår mellan 2 april till 16 maj. Curatorer för utställningen är Bea Tigerhielm och Staffan Julén.
Filmprogram:
Verk ur Filmforms distributionskatalog
Martina Hoogland Ivanow
2018, 00:10:40
VÅRUTSTÄLLNING 2/4 – 16/5
Den 2 april öppnar vi Rikstolvans konsthall för säsongen och visar film, fotografi och skulptur. På grund av pandemiläget släpper vi endast in ett begränsat antal besökare i taget via förbokning. Klicka på knappen nedan och välj dag och tid när du vill komma.
Utställningen visas hela påskveckan och sedan helger t.o.m. den 16 maj. Kaféet serverar lättare lunch och fika under konsthallens öppettider.
2/4-11/4 kl 12.00-16.00
12/4-16/5 fre-sön kl 12.00-16.00
info@rikstolvan.se | +46 735 91 91 36 | www.rikstolvan.se
MARTINA HOOGLAND IVANOW
Filmen Interbeing bygger på en icke-linjär dokumentation av sociala strukturer och deras olika tillvägagångssätt för tillit och rädsla. Kameran använder en värmeskugga som är synlig vid och efter fysisk beröring, värmen förblir, som spår av yttersta gemensamhet i försök att få direktkontakt, såväl som offentliga vardagliga möten.
The European Short Film Network (ESFN) has selected Moms On Fire by Joanna Rytel to be screened in the programme Film of the Day on the online festival platform: THIS IS SHORT between 1 April and 21 June. ESFN is a collaboration between European festival and consists of Go Short (NL), Oberhausen (DE), Short Waves (PL) and Vienna Shorts (AT). The programme has been curated by Mathieu Jansen.
Programme:
Works distributed by Filmform
Joanna Rytel
2016, 00:12:00
Film i Samtidskonsten – Logga
Under våren genomför Film i Samtidskonsten en rad digitala program med verk ur Filmforms samling. Näst ut är det tematiska programmet Stockholm på film där Felice Hapetzeders Stockholm 1970 ingår. Curatorer för programmet är Cecilia Björk och Nathalie Åhbeck. Programmet finns tillgängligt på FiS hemsida mellan 29 mars – 12 april.
Filmprogram:
Verk ur Filmforms distributionskatalog
Felice Hapetzeder
2003, 00:10:00
The Rencontres Internationales Sciences & Cinémas (RISC) – Logo
Interbeing by Martina Hoogland Ivanow and Diagram of Transfer No. 1 by Lina Selander will participate in the short film competition at the 13th edition of Rencontres Internationales Sciences et Cinémas. The festival takes place between 19-27 of March. The selected films will be available online on the festival’s platform between the 26-27th of March.
Programme:
Works distributed by Filmform
Martina Hoogland Ivanow
2018, 00:10:40
Lina Selander & Oscar Mangione
2018, 00:08:30
Installationsbild - Score
Score av Katarina Löfström visas på ID:I galleris skyltfönster i satsningen Trottoarvideo som sker i samarbete med TEGEN2 helgen 26-28 mars. Curator för programmet är Nils Claesson.
Filmprogram:
Verk ur Filmforms distributionskatalog
Katarina Löfström
2004, 00:04:30
Trottoarvideo
– ett samarbete mellan ID:I galleri och TEGEN2
7 kvällar med rörlig bild i skyltfönstret på Tjärhovsgatan 19
Den första helgen visas två verk:
Score (2004, 04:39 min) av Katarina Löfström
En animation som baseras på pixlarna i ett fotografi av universum tagna från Hubbleteleskopet. En filosofisk film om hur långt människan kan se bortom jorden.
A Penny for Your Thoughts, video, 2006 (18:40 min) av Dror Feiler och Gunilla Sköld Feiler
En voyeurfilm. En grupp ungdomar i Tel Aviv filmas på avstånd i mörkret och motljus-skenet från de ödsligt upplysta, hypermoderna kontorskomplexen. I ett textcollage som klippts samman ur situationisternas “fader”, författaren och regissören Guy Debords texter, ges sammanhanget en ny mystisk mening.
Fredag 26/3 Score och A Penny for Your Thoughts
Lördag 27/3 Score och A Penny for Your Thoughts
Söndag 28/3 Score och A Penny for Your Thoughts
Torsdag 1/4 TBA
Fredag 2/4 TBA
Lördag 3/4 TBA
Söndag 4/4 TBA
Då många människor väljer att inte besöka ett galleri i denna tid av pandemi har vi valt att presentera ett antal videoverk i skyltfönstret på ID:I galleri på Tjärhovsgatan 19. Vi tar på detta sätt det offentliga rummet och inte minst trottoaren i anspråk för att låta konsten vara fortsatt verksam i vår stad.
Fri konst och bredare trottoarer!
Chora, Emily Carlén
Chora by Emily Carlén will be screened as a loop in the exhibition Art of Sport at Copenhagen Contemporary Art Center from 25 March to 24 October. The exhibition is curated by Marie Nipper, Director of Copenhagen Contemporary
Programme:
Works distributed by Filmform
Emelie Carlén
2014, 00:04:22
Joanna Rytel’s Moms On Fire will be screened digitally at Tricky Women festival’s 2021 edition Tricky Realities in the programme Happy Birthday 2. The film will be availble online for 48 hours, starting Saturday 13th March. The programme has been curated by Waltraud Grausgruber.
Programme:
Works distributed by Filmform
Joanna Rytel
2016, 00:12:00
Åstorps Konsthall, Gittan Jönnson, med dagens ögon – Affisch
Gittan Jönssons dokumentärfilm Parallella linjer kommer visas online i anslutning till utställningen Gittan Jönsson: Med dagens ögon på Åstops Konsthall i samband med den internationella kvinnodagen den 8 mars. Evenemanget är ett samarbete mellan Åstorps kommun och Filmform. Filmen kommer vara tillgänglig på Åstorps konsthalls hemsida konstnadsfritt under måndagen den 8e mars.
Gittan Jönsson
Parallella linjer (2018), 57:00 min
Filmen är Gittan Jönssons personliga spaning efter spåren av den feministiska rörelsen inom konstvärlden. Från manifestationer i Stockholm som Kvinnokulturfestivalen 1977 och Vi arbetar för livet 1980, där konstnärerna protesterade mot mansdominansen i kulturlivet, till dagens Berlin. I filmen rör sig samtalet över tid och rum, över 70-tal och nutid, Stockholm och Berlin, när konstnärer delar med sig av sina erfarenheter av det patriarkala systemet och visar sin konst. Samtal uppstår som suddar ut gränser mellan tid och rum. Filmen lyfter fram kampen för rättvisa villkor inom konsten som nästan glömts bort.
Förutom samtal och intervjuer består filmen av arkivmaterial, foton, filmade sekvenser från Sveriges Television och från en feministisk performancefestival i Warszawa.
Om konstnären
Gittan Jönsson (f 1948) utbildade sig på Konstfack 1967-1972. Jönsson var aktiv i 70-talets feministiska kretsar i Stockholm, som Kvinnokulturfestivalen och Vi arbetar för livet och är idag verksam som konstnär i Berlin och Brantevik. Hon finns bland annat representerad på Moderna museet, Nationalmuseum och Göteborgs konstmuseum.
Arsenal – Logo
Utveckling? (Progress?) by Sven Elfström will be shown in the programme Archive außer sich: Odd Ones Out – Films from the archive of the Short Film Festival Oberhausen whose history has not yet been written. The programme will be available online between 1-31 March and has been curated by Arsenal 3.
Sven Elfström
Utveckling? (1971), 6:00 min
Since 2018, the project “re-selected – Film History as Print History” has focused as part of “Archive außer sich” on selected films from the analogue holdings of the Archive of the International Short Film Festival Oberhausen, examining film history as the history of individual prints. Entitled Odd Ones Out, “re-selected” presents films on arsenal 3 in March whose prints from the archive of the festival have rarity status. Some of them were therefore digitised in the course of the project.
On 18 March at 6 pm there will be an online discussion moderated by Nikolaus Perneczky with Tobias Hering, the curator of “re-selected”. It will be broadcast live on Arsenal’s Youtube channel and questions can be asked via the chat.
Rock Garden [Extended], Karl Holmqvist
Under våren genomför Film i Samtidskonsten en rad digitala program med verk ur Filmforms samling. Först ut är ett program med Karl Holmqvists tidiga videoverk Smokey, Rock Garden Extended och Cars Kill. Curatorer för programmet är Cecilia Björk och Nathalie Åhbeck. Programmet finns tillgängligt på FiS hemsida mellan 22 februari – 8 mars.
Program:
Verk ur Filmforms distributionskatalog
Karl Holmqvist
2003, 00:07:40
Karl Holmqvist
1995, 00:07:20
Karl Holmqvist
2003, 01:16:15
Stockholms konstnärliga högskola – Logga
Masterstudenter på Stockholms konstnärliga högskola kommer se flera verk ur Filmforms katalog av Ann-Sofi Sidén, Muammer Özer, och Guillermo Alvarez. Programmet visas för kursdeltagare under februari och mars. Curator för programmet och lärare på kursen är Nils Claesson.
Filmprogram:
Verk ur Filmforms distributionskatalog
Lotta Antonsson & Ann-Sofi Sidén
1987, 00:13:00
Ann-Sofi Sidén
1986, 00:06:00
Ann-Sofi Sidén
1998, 00:28:00
Ann-Sofi Sidén
1989, 00:04:27
Ann-Sofi Sidén & Jonathan Bepler
2011, 00:19:28
Muammer Özer
1980, 00:27:00
Guillermo Alvarez
1981, 00:28:00
Magnus Bärtås
2003, 00:08:00
Samuel Richter
2020, 00:21:12
Malin Pettersson Öberg
2017, 00:19:30
Daniel Jewesbury
2019, 00:24:42
Jesper Nordahl
2019, 00:14:48
Sophie Vuković
2020, 00:19:20
Stockholms universitet – Logga
Filmform kommer visa ett urval verk online i samarbete med den Filmvetenskapliga fakulteten på Stockholms universitet. Filmerna visas som kursunderlag till fördjupningskursen på kandidatnivå med temat Filmen som minnesarbete. Programmet kommer visas under februari och mars. Curator för programmet och lärare på kursen är Malin Wahlberg.
Filmprogram:
Verk ur Filmforms distributionskatalog
Ingela Johansson
2017, 00:40:45
Erik Pauser & Johan Söderberg
1995, 00:04:03
Mats Hjelm
2006, 00:12:02
Michel Wenzer
2003, 00:14:00
Magnus Bärtås
2003, 00:08:00
Tova Mozard
2012, 00:31:00
Queer Film Festival München – Logo
Moms on Fire by Joanna Rytel will be a part of the programme best-of feminist short films at QFFM – Queer Film Festival Munich in cooperation with the Academy of Fine Arts in Munich. The programme will be screened online the 14th of January.
Programme:
Works distributed by Filmform
Joanna Rytel
2016, 00:12:00
Banner - Luleåbiennalen 2020
Luleåbiennalen arrangerar en visning online med ett urval verk från årets biennal. Enligt lag av Peter Weiss kommer vara tillgänglig på Luleåbiennalens hemsida mellan den 2-3 januari. Curatorer för programmet är Karin Bähler Lavér, Emily Fahlén och Asrin Haidari.
Filmprogram:
Verk ur Filmforms distributionskatalog
Peter Weiss & Hans Nordenström
1957, 00:20:00