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MAY YOUR RIPPLES SLOWLY FADE
BY
Gustaf Broms

MAY YOUR RIPPLES SLOWLY FADE

by gustaf broms

In a forest I found myself lost

I found a forest full of loss

In myself I found a forest

a forest

a lost self

a forest as self

The title MAY YOUR RIPPLES SLOWLY FADE refers to that state of no-mind, before consciousness defines, describes, and names what is. These vague precious moments, beyond time and space, when separation between past and present, here and there evaporate.

What a treasure, these brief moments, just before we are thrown back into linear thinking, with all its layers of memory and identity. Those brittle layers, as solid as a fleeting thought?And then again, all possibilities unfold in an eternal moment,always present, yet so hard to grasp,when recognised….already gone.here lies hope?

To look at this living process and understand one aspect of existence as a biological soup, of forms making up forms of forms, a constant process of becomings, an eternal reshuffle of this star dust. Always building more complex structures, that fall apart, again and again. This material-physical aspect, is constantly mirrored on an immaterial plane of existence, as consciousness reads the experience of matter. How are they linked? Who feeds who? Is one aspect more “real” than the other?



Aspect ratio 1.78:1 (16:9)
Prod. format
Duration 00:39:33
Language No dialogue
Color Color
Sound Stereo
Year 2024
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About the artist

Gustaf Broms

Gustaf Broms was born in Sweden in 1966. He currently lives and works in the Vendel forest. Gustaf’s practice is engaged with the exploration of the nature of consciousness, the dualistic concept of Being NATURE (the biological process of body), and being MIND (as intellect interprets experience). In his practice, he started off working photography and installation, but two work in particular led him to work with the more formless processes of performance.

In 1991, Broms burned all of his work, and in doing so realized that the intensity of the action and the remaining ash far outdid anything he had previously made. In 2005, he completed a series of works entitled “5 Faiths for a Brave New World” in which he worked with objects that were physically too heavy for the body to move. These two experiences created a longing to explore the formless and led up to the project entitled “A Walking Piece” made with Trish Littler, in which the two artists spent 18 months walking across Eastern Europe. The result is considered a drawing.Currently, Broms’ continues to work with his own body as the tool for examining what this living thing is.

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