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Adrianas Whiteboard
BY
Julia Peirone

Adriana’s whiteboard is based on one of the many testimonies given during thetrials of the military junta in Argentina in 1985.

A teacher stands in front of a whiteboard and teaches Swedish to newly arrivedimmigrants. The actress who plays the teacher in the film was herself a teacher ofSwedish for immigrants in Sweden during the 70s. In the film, we see how sheteaches different sentences and words in an overtly educational way. As shegestures, explains and writes on the board, the words and sentences becomeincreasingly unpleasant as they come from an authentic testimony. Adriana Cabode Laborde (whose testimony the film is based on) was one of many young left-wing activists who were kidnapped and tortured by the Argentine military duringthe 70s. She was one of the few who survived. She also gave birth to a smalldaughter while in captivity.

In the film, we see the Swedish teacher’s whiteboard increasingly filled with thewords of the testimony while she benevolently explains enthusiastically how topronounce the words in Swedish. From the hilarious over-pedagogical gesturesthat initially make one laugh, the displeasure and anxiety grow ever greater as theterrible content of the testimony fills the whiteboard.

Keywords Power, Satire, immigration, Society, Defense, School, Drama, Experimental
Aspect ratio 1.78:1 (16:9)
Prod. format Generic HD-video
Duration 00:11:14
Language Swedish
Color Color
Sound Stereo
Year 2023
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About the artist

Julia Peirone

Julia Peirone (b. 1973) lives and works in Stockholm. She is educated at the University of Photography and Film in Gothenburg (BFA) and at Konstfack in Stockholm (MFA).

She works mainly with photography and film.
She has had several solo exhibitions, among others at Liljevalchs Konsthall 2022,
Gothenburg Art Museum 2017, Uppsala Art Museum 2015 and Kalmar Art Museum 2018 She has also taken part in several group exhibitions, including at Moderna Museet (2017), Borås Art Museum (2016), Artipelag (2014), and Sven Harrys Art Museum 2016.

Her works are represented at Moderna Museet, Kiasma in Finland, the State Council of the Arts, the National Museum and the Gothenburg Museum of Art. Peirone has several publications behind her such as Braids and Bruisers, Liljevalchs+ (2022) Girls, Girls, Girls, Gbg Konstmuseum (2017), Waiting for Red Pigtails (Sailor Press, 2013), More than Violet (Art & Theory, 2012) and Contemporary Swedish Photography (Art & Theory, 2012)

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