A poetic portrait of the (post)industrial spaces in Malmö harbour, seen through the moving gaze of the abandoned railway tracks. The film explores the relationship between place and time, nature and culture, industry and post humanity, railways and the mechanical camera. Originally screened as an installation in a continuous loop.
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Vilhelm Christensen
About the artist
Vilhelm Christensen (b. 1984) is trained in fine art and architecture. His interdisciplinary artistic practice moves freely between sculpture, installation, architectural interventions, sound and moving images. The work is often project based and site specific, in the context of spaces, places, and their material narratives. He has exhibited individually and collectively at institutions such as The National Museum Norway, Henie Onstad Art Center, Oslo Architecture Triennale, Munch Museum, Kunsthall Oslo, Oslo Pilot, 0047 and Galleri Rom. He holds a MFA from Malmö Art Academy, as well as further studies in art and public space at Royal Institute of Art in Stockholm. He also holds a Master of Architecture from Oslo School of Architecture, as well as studies at SCI-Arc in Los Angeles.