Filmform (est. 1950) is dedicated to preservation, promotion and worldwide distribution of experimental film and video art. Constantly expanding, the distribution catalogue spans from 1924 to the present, including works by Sweden’s most prominent artists and filmmakers, available to rent for public screenings and exhibitions as well as for educational purposes.
This video installation is shown in a triangular 3-screen structure. The first video, intimate and silent, shows a woman with a covered head, braiding the hair of a child, perhaps her daughter, in a house. In the second video, a tower is burning in the middle of a field, while in the third one a group of women are praying in a mosque. Addressing national romanticism through moving images, the artist is also making a contemporary folkloristic painting with the camera, referencing late 19th century paintings and photographs.
Salad Hilowle is an artist and filmmaker based in Stockholm. He was born in Mogadishu in 1986 and moved to Gävle eight years later. His work revolves around identity, memory and place, making people of African origin visible in various Swedish contexts, now and in the past.
Using a wide array of artistic means, especially video, photography and installations, Hilowle questions the precarious border between acceptance and rejection. At the same time he is exploring how his background can be reintroduced into cultural narratives as part of a struggle to proclaim identities, which have been present for a long time but have been erased or concealed. People of African origin have been living and working in Sweden for many centuries, contributing to culture and society at large. And yet they are largely absent in the public discourse, including the arts, with the exception of criminal contexts.
Hilowle is a maker of poetic images, offering a black gaze on cultural artifacts that construct, limit, and attribute meaning around issues of who belongs and who does not — an act of claiming and longing for a space that can become “at home”. Through his research-based and yet intuitive projects, dealing with experiences of being born in one country and growing up in another, Hilowle gives greater depth and expression to the Afro- Swedish diaspora and to life as an Afro-Swede today. This is emphasized by his inclusion of, and collaboration with, friends, family and relatives in the work.
The artist is not only seeking out and noticing anomalies in cultural narratives, but he is also examining the familiar as if for the very first time. By switching contexts and by changing the scale, color and material of objects, Hilowle makes them impractical and weird, and yet visible. Full of melancholy and elegance, his works attempt to test the resilience of images, objects and bodies in today’s world.
