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A classic build-up for a classic thriller sequence. However, in this animated setting the main ingredients are missing – there are no birds, no people, no dialogue. What happens with the scenery when a setting is altered in this way? Where does the tension go, and what atmosphere is left to echo through the lingering images?
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Born in 1971. Grew up on Gotland in the Baltic Sea. Lives and works in Stockholm, Sweden.
Tobias J Andersson studied at University Collage of Arts Crafts & Design as well as the Royal Collage of Art, both in Stockholm. He mainly works with video and animation. Anderson has moved between narrative and non-narrative works and through the years he has created almost 40 films. He has also been experimenting with different forms of music and sound installations. Notable exhibitions include P.S.1 Contemporary Art Center in New York, Kunst-Werke Berlin, CaixaForum in Barcelona and Museo de Colecciones ICO in Madrid, as well as solo exhibitions at MMC Luka in Pula Croatia, ak28 in Stockholm and Uppsala Art Museum in Uppsala, Sweden. He is collaborating with Espaivisor in Valencia, Spain.